ALTER43



Untitled

I participate in Tumblr on two levels, as a blogger and as an artist. As a member of the blog community, I am the curator and publisher of my own eclectic archive of photography, art, quotes, video and music. As an artist, Tumblr has become the first venue for the exhibition of my own digital images from the groups "Particles and Waves" and "Extrusion Maps." I appreciate the free exchange with other members and the sharing of my collection, as well as the exhibition of my own work within such an easy to use, non-commercial environment.

http://www.douglasprince.com/


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klammer


mondonoir:

“The post-1967 abstractions have seemed to many sufficiently referential so that it is a critical commonplace to see them as suffused with a special California light, and as dense with coastal allusions to sky, ocean, seaside and sun, tawny hills, bleached architecture, sharp shadows and angular illuminations, green expanses and glimpsed distant blues, and possibly haunted by the erasure of human presences.”
— Arthur Danto, Encounters & Reflections: Art in the Historical Present
[excerpt here]
Richard Diebenkorn, Aquatint with Drypoint Halo, 1978

mondonoir:

“The post-1967 abstractions have seemed to many sufficiently referential so that it is a critical commonplace to see them as suffused with a special California light, and as dense with coastal allusions to sky, ocean, seaside and sun, tawny hills, bleached architecture, sharp shadows and angular illuminations, green expanses and glimpsed distant blues, and possibly haunted by the erasure of human presences.”

— Arthur Danto, Encounters & Reflections: Art in the Historical Present

[excerpt here]

Richard Diebenkorn, Aquatint with Drypoint Halo, 1978


Notes
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    “The post-1967 abstractions have seemed to many sufficiently referential so that it is a critical commonplace to see...
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    Richard Diebenkorn, Aquatint with Drypoint Halo, 1978